Abstract
Perception of Reality on Cindy Sherman’s Photographs
Perception of reality is in a playfull process with the possibilities that created by the techniques of photography. This playfull process tries to displace the essence and reality of art phenomenon. This article aims to examine the photographs of artist Cindy Sherman, who uses photography as a means of reconstruction and production, and will focus on the artist's own existential reality, the reconstruction of identities and spaces.
Keywords
Art, Photography, Reality, Jean Baudrillard, Cindy Sherman
